When you were eighteen years old, you repeated the Ben Moon test
piece 'Hubble'. Did you have to do any specific training for this,
like other ascentionists, and was it completely at your limit
at the time?
I
did a lot of specific training, mainly static locks on similar
undercuts. It wasn't at my limit at the time, I could chalk up
at the crux when I returned for photo's one month after I did
it. It's still very hard to this day it's probably Font. 8b.
You
seem to be concentrating on bouldering mainly at the moment. Do
you have any plans to try to repeat any of the Fr. 9a routes that
are around now?
No immediate plans to try any. I feel I could (repeat them) but
it's a lot of hard work and I don't think it would advance my
climbing as much as what I'm doing now.
You
climbed Font. 8b+, 'Leviathon' at Kyloe in the Woods, some time
ago now. Since you have tried and repeated other peoples 8b+'s,
how do you think 'Leviathon' compares and do you still rate it
as one of the hardest pieces of climbing you have done?
Definitely, the individual moves aren't so hard but there's a
lot of them and it takes time to learn. Also finishing up a Font.
7c+ after traversing fifty feet takes a bit of power.
A
few years ago you repeated such Fontainbleau classics as 'Duel'
(Font. 8a) and 'Karma' (Font. 8a). How did you find the technicalities
of the forest and are there any lines you plan to finish off or
attempt?
I love Fontainebleau. I do enjoy the technical nature of the climbs
but because they are so technical and sloping there's only so
much power you can get down onto the rock. I'm keen to go back
soon and do 'Pierre Philosophale', a classic Font. 8b.
You
visited the Frederick Nicole stomping ground of Cressiano last
year. Rumours have it that you were very close to repeating Fred's
Font. 8c 'Dreamtime'. Do you plan to go back to finish this off
and how do you rate Swiss bouldering?
I went back recently but it was still too hot for the full thing,
but I did the standing start (Font. 8b) which I was pleased with.
I want to return soon and do the whole problem. Like all the problems
at Cressiano it's an absolute classic.